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Eliot and the music of poetry Eliot's poetry in the light of the different ways in which it can be considered 'musical'.

Two concerns central to the thesis are: (1) Eliot's enduring interest in the musical quality of poetry; (2) the critical usefulness and viability of drawing analogies between his poetry and music. The thesis considers three important related topics: (1) Eliot's preoccupation with language, its inevitability and its inadequacy; (2) the figure of the seeker in his poetry; (3) his interest in mysticism. Eliot's poetic style as influenced by the French Symbolist poets, by Dante and the mediaeval mystics, and by the music of Wagner, Stravinsky and louis vuitton bags imitation other composers. Throughout, Eliot's poetry presents variations on the theme of detachment and involvement louis vuitton purses new orleans in relation to the figure of the seeker: consciousness is most engaged and challenged when it journeys. In the early poetry, music serves to emphasize failed relationships: the closer the physical proximity between protagonists, the greater the psychological distance.

From The Waste Land on, Eliot makes use of myth and leitmotif to portray consciousness in the role louis vuitton bracelet australia of seeker urged on by the need for meaning. After his conversion to Anglo Catholicism in 1927, Eliot's characters embark on a journey inward, where music, now louis vuitton bracelet cuff "unheard", no longer signifies neurosis and despair, but becomes the only language for the ineffable.


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